As excited as we are for the launch of our conference registration, we know that the level of interest the event has generated since September far exceeds the number of people who will be travelling to Edinburgh in June. While we hope to see as many of you at the conference as can make it, we also want to continue providing resources support for those of you who can't.
Which is why we are also excited to announce the publication of The Ashgate Research Companion to Monsters and the Monstrous, edited by Asa Simon Mittman. This sensational book looks to be a landmark release in the field of monster studies, and features essays by conference keynote Jeffrey Jerome Cohen (who brought the collection to our attention), as well as Patricia MacCormack, John Block Friedman, Jeffrey Andrew Weinstock, Dana Oswald, Debra Higgs Strickland, Karl Steel, and Peter J. Dendle.
Sufficiently weighty, both in mass and in content, from the looks of the table of contents and available excerpts, to justify the list price, there seems little doubt that the Companion will become a stable of monster researchers' libraries everywhere. In an emerging field of study, we can't help but gleefully imagine the shock and awe it will inspire in newly inducted students as it works its way into core course syllabi.
On a lighter, and more literary, note, we would also like to point out that this week marks the "12 Days of Monsters" on the Weird Fiction Review website. Posts by Jeff VanderMeer and Nancy Hightower have already touched on China Miéville, and throughout the whole week Pretty Monsters, a novella by Kelly Link, is available, as is a free download of VanderMeer's own Monstrous Creatures collection. Well worth keeping an eye on as the week unfolds!
Of course, a reminder that registration, travel, and accommodation info can now be found on the "Fees and Information" page here.
Communication and Construction of Monstrous Embodiment
June 15-16, 2012
Showing posts with label Jeffrey Jerome Cohen. Show all posts
Showing posts with label Jeffrey Jerome Cohen. Show all posts
Tuesday, 20 March 2012
Monday, 19 March 2012
Conference Registration Now Live!
We are very excited to be able to announce that conference registration is now live! We are currently offering reduced advanced booking which will be available until 15 April, after which time the rates will revert to the standard prices. Of course we encourage you to take advantage of the advanced booking rates while you can!
You can register for the conference here. The preliminary conference programme is available here, and information regarding travel to and accommodation in Edinburgh can be found here.
Advanced booking rates (currently online) are as follows:
Full-fee bookings include access to all conference events on both days as well as to the conference itself.
Information regarding such external conference events, including a conference dinner, will be made available nearer to the event itself. Please don't hesitate to contact us via e-mail at sdefconference(at)ed.ac.uk if you have any questions or concerns regarding registration.
You can register for the conference here. The preliminary conference programme is available here, and information regarding travel to and accommodation in Edinburgh can be found here.
Advanced booking rates (currently online) are as follows:
- Advanced day-fee (unwaged) - £35
- Advanced day-fee (waged) - £50
- Advanced full-fee (unwaged) - £55
- Advanced full-fee (waged) - £85
- Day-fee (unwaged) - £50
- Day-fee (waged) - £65
- Full-fee (unwaged) - £70
- Full-fee (waged) - £100
Full-fee bookings include access to all conference events on both days as well as to the conference itself.
Information regarding such external conference events, including a conference dinner, will be made available nearer to the event itself. Please don't hesitate to contact us via e-mail at sdefconference(at)ed.ac.uk if you have any questions or concerns regarding registration.
Saturday, 15 October 2011
Medieval Monstrosity and the Female Body
If you are passionate about the fascinating field of medieval monstrosity and the female body, take a look at Sarah Allison Miller's Medieval Monstrosity and the Female Body, recently published in the Routledge Studies in Medieval Religion and Culture series. The work reflects a growing interest in the monstrous within Medieval Studies, exploring the critically and philosophically challenging monstrous female bodies which resist reductive or simplistic conclusions. It is precisely this complexity that is highlighted in Andrea Schutz's review of the work published in The Medieval Review:
Women are the mon
sters of origins, the monsters without whom no one exists. Where most studies of medieval teratology give voice to the monster as other, Miller argues that the monstrous female body is not other at all, but the matrix of the normative body, which must then forever deal with its own contributions to and participation in female monstrosity. As such, monstrous female bodies offer a continuous resistance to being read simply or uniformly; characterized as unstable and read as danger, women's bodies force the readers into acknowledgment of the instability and danger of those same readings.
As Schutz points out, the very beginning of Miller's book sets a premise for seeing the female body ''as a thing which transgresses the very constructions which make bodies monstrous", resulting in a female body imbued with meaning rather than devoid of it. Miller applies Jeffrey Jerome Cohen's monster thesis "the monster always escapes" ("Seven Monster Theses", Monster Theory: Reading Culture) to "show that the stable readings required by normative medieval theory are themselves frustrated by the very bodies defined as monstrous."
Exploring virgins, motherhood, gynecology, monstrous births, theology and numerous others, the work present a useful and fascinating contribution to feminist critique, monstrosity and Medieval Studies.
Women are the mon
sters of origins, the monsters without whom no one exists. Where most studies of medieval teratology give voice to the monster as other, Miller argues that the monstrous female body is not other at all, but the matrix of the normative body, which must then forever deal with its own contributions to and participation in female monstrosity. As such, monstrous female bodies offer a continuous resistance to being read simply or uniformly; characterized as unstable and read as danger, women's bodies force the readers into acknowledgment of the instability and danger of those same readings.As Schutz points out, the very beginning of Miller's book sets a premise for seeing the female body ''as a thing which transgresses the very constructions which make bodies monstrous", resulting in a female body imbued with meaning rather than devoid of it. Miller applies Jeffrey Jerome Cohen's monster thesis "the monster always escapes" ("Seven Monster Theses", Monster Theory: Reading Culture) to "show that the stable readings required by normative medieval theory are themselves frustrated by the very bodies defined as monstrous."
Exploring virgins, motherhood, gynecology, monstrous births, theology and numerous others, the work present a useful and fascinating contribution to feminist critique, monstrosity and Medieval Studies.
Wednesday, 21 September 2011
Jeffrey Jerome Cohen, "Giants"
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| Julius Koch, Le Geant Constantin Image courtesy of TheTallestMan.com |
Time travel was attempted (and subsequently abandoned), things were learned that cannot be unlearned, and our respective psyches were threatened with total destruction. As a result, we had no choice but to resign ourselves to the doleful realisation that, like mere mortals, we would have to wait.
But that wait has been made less torturous by Jeffrey Jerome Cohen (who, just a small reminder, will be flying all the way from Washington D.C. to Edinburgh, Scotland to be a keynote at our conference along with Peter Hutchings and Margrit Shildrick). On the In the Middle blog, he was ever so kind last month to post a draft of his entry on giants, to which we now direct your attention:
The giant pervades every level of society, from popular culture and folklore to self-consciously artistic literature and scholarly discourse. With some notable exceptions, the giant is strongly gendered male. He often figures the masculine body out of control, demarcating a cultural boundary not to be traversed. The giant is foundational. The world may have been created from the body of a giant, as in Norse fable; or the body of the earth may spawn giants, as in classical tradition. He is so elemental that humanity cannot escape his abiding presence.Keep an eye out for the encyclopaedia itself - definitely going to be a good book to have on the shelf.
Saturday, 17 September 2011
Plenary Speaker: Prof. Margrit Shildrick
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| "Lunatica", Fernando Vicente. From the series Vanitas. Copyright Fernando Vicente, 2008. |
We are honoured and excited to be bringing together such truly brilliant minds, each of whom offers a distinct perspective on the topic of monsters, monstrosity, and monstrous embodiment. They also reflect the interdisciplinary nature of the conference itself; despite their different research backgrounds, each have contributed significantly to our understanding of monsters and monstrosity, and are sure to add great depth and nuance to our discussions of sensuality and the anomalous body during the conference.
We look forward to offering a forum in which our speakers can communicate and engage with what we are positive will be an equally wonderful group of participants from across departments and disciplines, and encompassing the full range of the academic career spectrum.
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