Communication and Construction of Monstrous Embodiment
June 15-16, 2012

Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Thursday, 24 November 2011

Sensuality as Disability - Victorians and Precocious Puberty

Since this week (22 November to be precise) marked the start of Disability History Month here in the UK, we thought that it was a  good time to draw your attention to a special issue of Nineteenth-Century Gender Studies from 2008, which explores the subject of "Critical Transformations: Disability and the Body in Nineteenth-Century Britain". Best of all, the issue, guest edited by Mark Mossman and Martha Stoddard-Holmes, is available free online in full.

Pieter Paaw, "Skeleton and Skull of a
Child." (1633), © University of Toronto
Library, 2003 
The journal offers a number of interesting articles exploring the intersection of gender and disability, such as Joyce L. Huff's "The Domesticated Monster: Freakishness and Disability in Fitz-James O'Brien's 'What Was It?'". Yet what is perhaps most interesting within the context of this conference (and this blog) is the inclusion of M. Jeanne Peterson's "Precocious Puberty and the Victorian Medical Gaze".

Peterson's article considers the responses on the part of Victorian medical reports to cases of precocious puberty and the way that they were tied to anxieties surrounding conceptions of gender, bodily normalcy, even the state of childhood itself. In so doing, she demonstrates, to quote Mossman and Stoddard-Holmes's introduction to the issue, "the fecundity of visual and structural disruptions of “normal” masculinity and femininity for narratives of pathology and normalcy." The introduction goes on to note that the article
"work[s] on the continuum on which the normal and the extraordinary both reside, noting the various points (and convergences) of discomfort, apprehension, attraction, and wonder these “extraordinary cases” produce"
In consciously choosing to place early-onset puberty within the discourse of disability, Peterson acknowledges that her decision may raise some questions, given that,
"precocious puberty would seem more a case of early ability rather than disability. But early puberty can also be understood as deviance, as straying from norms of bodily development. In the phenomena of early puberty doctors found amazement, desire, and dread."
In Peterson's study, then, the precocious development of physical markers of puberty, those undeniable indicators of the body's eroticism, its sensuality, become in and of themselves an illustration of disability. This definition of the preciously pubescent body would seem to bind Victorian constructions of disability, of exceptional bodies, to the sensual body in a way which is often overlooked. Sensuality here stands at the very core of disability, in stark contrast to a traditional conception in which the senses,  if not deliberately removed, are at the very least forgotten.

Friday, 4 November 2011

Curious Pursuits Exhibition, Manchester

For the Victorianists amongst you, we would like to direct attention to a new Art Historian collective based in Manchester, Porter & Jenkinson. Their mission statement should prove intriguing not just to scholars focusing on the nineteenth century, but also artists, art historians, and those interested in the medical humanities:
Vegetable Lamb from The Museum of Garden History, London
"Art Historian collective Porter & Jenkinson aim to showcase the best contemporary art of a curious and unusual nature. Through exploring the dark, strange and depraved themes of the Victorian era they curate exhibitions of works that respond directly to these ideas. They intend to bring to the foreground these forgotten aesthetics and to explore the responses and reactions in contemporary society."
Porter & Jenkinson's first exhibition, Curious Pursuits, will be taking place from the 2-29th February 2012 at the Portico Library in Manchester, and they are still accepting submissions until 31 December if you happen to be of artistic skill. If you are not so lucky, it should still prove a fascinating exhibition, well worth a trip to Manchester if you're not based in the area.

If Manchester seems a bit far to go, then their website - while still relatively new - is already exhibiting some interesting content, and we look forward to seeing what other finds they will post next.